New York, NY (December 6, 2022) — The French Institute Alliance Française announces the program for the sixth edition of Animation First, the only U.S. festival dedicated to showcasing the legacy and innovation of French animation. The 2023 festival will run from Friday, January 27 through Sunday, January 29 and will present six feature-length films (including three U.S. and three NY premieres), and six short film programs with over 65 new shorts (including eight U.S. and 12 NY premieres). The complete Animation First program will comprise filmmaker conversations, "Work in Progress" presentations, a selection of video games and AR-VR experiences, and student shorts programs. Tickets are now on sale. Opening the festival on Friday, January 27 will be the NY premiere of Amandine Fredon and Benjamin Massoubre's Little Nicholas: Happy As Can Be. Little Nicholas is a charming rendition of artist Jean-Jacques Sempé’s and René Goscinny’s lives which co-exist within the fictitious adventures of Le Petit Nicolas, the beloved French children's character. The film is presented in conjunction with the FIAF Gallery exhibition: Signature Sempé. The Animation First 2023 Guest of Honor is award-winning screenwriter and director, Anca Damian. Damian will present the NY premiere of her mixed media animated film, The Island (The Island was an Animation First 2021 ‘Work in Progress’ presentation) on Sunday, January 29. Following the screening, there will be a conversation with Damian where she will discuss her new film and the augmented reality companion piece, In Search of Paradise. The closing night film on Sunday, January 29 will be the U.S. premiere of Alain Ughetto's stop motion feature, No Dogs or Italians Allowed. Told as a fictional dialog between the filmmaker and his grandmother, the film details the lives of Italian immigrants who fled poverty and fascism. Other 2023 feature films include the NY premiere of Alberto Vázquez's Unicorn Wars, an anti-war allegory; the U.S. premiere of Michael Ocelot's The Black Pharaoh, the Savage and the Princess, three tales celebrating courage in the face of injustice; and the U.S. premiere of Pierre Földes' Blind Willow, Sleeping Woman, based on short stories by Haruki Murakami. This year's festival will also include six short film programs: Best of Annecy, Best of Annecy Kids, New Francophone Shorts programs, Student Shorts Competition and RECA, the French Animation School Network. There will be two ‘Work in Progress’ presentations for 2023. On Saturday, January 28, Iranian filmmaker Sepideh Farsi will discuss her upcoming film Throughout the festival, the FIAF Library will be free and open to the public to experience video games and virtual reality films from French studios and distributors. This years video game selection includes a first look at the Dordogne prototype, a demonstration copy of Chants of Sennaar, and A Plague Tale: Requiem, amongst others. There will also be three VR experiences and an AR exhibit: The Starry Sand Beach (NY premiere), Seven Grams, All Unsaved Progress Will Be Lost (U.S. premiere), and the U.S premiere of augmented reality exhibit, In Search of Paradise, a companion piece to The Island. The complete Animation First 2023 schedule can be found here. |
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About Animation First Created in 2018, Animation First is the only film festival in the United States dedicated to French animation. Today, France is Europe’s largest producer and the world’s third-largest exporter of animated film. Since its early beginnings in the late 19th century when Émile Reynaud projected his Pantomimes Lumineuses at the Musée Grevin in Paris, the French animation industry has inspired filmmakers and artists. Their resulting experiments with puppets, cutouts, and stop motion, have been instrumental in inventing important techniques in cinema. Renowned for its stylistic innovation and an approach that integrates artisanal methods with technological ingenuity, French animation continues to garner awards worldwide and spans a diversity of genres. It is responsible for a variety of films from independent art-house successes such as Sylvain Chomet’s The Triplets of Belleville and Michael Dudok de Wit’s The Red Turtle to those for mature audiences like Persepolis and I Lost My Body to the Franco-American Despicable Me franchise. Beyond films, France has carved out an important space in animated TV programs, web series, video games, and the rapidly developing fields of virtual reality and new technologies. |
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