Most
high school students participating in this competition do not have the
opportunity to earn a varsity letter, even though their work could save lives and
alter the future. That isn’t an exaggeration. The projects brought to the Intel
International Science and Engineering Fair (ISEF) are amazing. Not to belabor
the obvious, but imagine what these kids could accomplish (for our benefit) if
science fair competitions enjoyed roughly comparable support and prestige to
what most schools bestow on football and basketball. Regardless, the young
scientists and engineers keep plugging away in Cristina Costantini & Darren
Foster’s kid-friendly documentary, Science
Fair, which screens during this year’s Sundance Film Festival.
As
is the case for typical high school athletic tournaments, students qualify for
ISEF by winning various state and regional science fairs. To do so, they
produce real research and original inventions. For instance, Anjali Chadha invented
a compact detector for Mercury contamination in bodies of water. Costantini
& Foster also closely follow Myllena Braz de Silva and Gabriel de Moura
Martins from a hardscrabble rural district in Brazil, who have developed a low
cost, scalable method for diagnosing Zika. We’re not public health officials
here, but these sound like useful projects to us.
Like
football or College Bowl, science fair competitors need coaches. Frustratingly,
none of the science faculty at Kashfia Rahman’s gridiron-centric South Dakota
high school were particularly keen to coach her, but the football coach was
happy to support her (good for him, but frankly, most viewers will want to see
those so-called science teachers get called out on camera). On the other end of
the spectrum, Long Island’s Dr. Serena McCalla is a hands-on coach and dogged
motivator, who has an impressive nine students qualify for ISEF.
The
students Costantini & Foster follow run the gamut from popular Zenned-out
surfer dude to the driven first-generation sons and daughters of immigrants,
but they are all wickedly smart and have genuine screen presence. These are good
kids, whom the audience will fully and deeply invest in, on an emotional level.
With the help of editors Tom Maroney and Alejandro Valdes-Rochin, Costantini
& Foster balance their large cast of character with remarkable dexterity.
We get a very good sense of who they are as people and decent thumbnail
understanding of what their projects are all about. They also keep the pacing peppy, while
building towards the suspense of the ultimate best-in-show announcement.
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