You
know Australian psycho-stalkers just aren’t what they used to be when a victim
gets away from Mick Taylor in the Wolf
Creek TV show. As problematically sadist as the original films were, there
was no denying John Jarratt’s distinctive screen presence. German and Chook
just can’t compare, except perhaps in the violence they unleash on-screen in
Tasmanian-native Damien Power’s Killing
Ground, which screens
during the 2017 Sundance Film Festival in Park City.
Sam
and her doctor fiancé Ian decide to spend New Year’s Eve camping in his
favorite spot for reasons that will utterly mystify regular horror movie
viewers. On the way, the seedy looking German (with the requisite snarling
attack dog) recommends another campsite, but Ian’s heart is set on their
original destination. They are bummed out to find another tent already pitched
there, but at least they are quiet—too quiet. By the time they mosey on over,
viewers know the family in question has met a grisly fate at the hands of
German and less cautious protégé Chook. Throughout the first act, Power
cross-cuts between Sam and in Ian in the film’s now and the ill-fated family of
aging hippy Rob, his wife Margaret, their moody teen daughter Em, and their
toddler Ollie a few days in the past, just to make Grounds look more ambitious than it really is.
Just
to give viewers fair warning, Ollie’s grisly fate plays a pivotal role in the
film, so yeah, good times. Frankly, there are so many legitimately clever and
surprising indie horror films getting produced today, it makes watching a
grinder like Ground rather depressing
in comparison.
Still,
the cast is quite strong, especially Harriet Dyer as Sam. Although he is no
Jarratt, Pederson is certainly an effectively silent, surly, anti-social
sadist. It should also be stipulated in all due fairness, the peculiar stresses
Power inflicts on Sam’s relationship with Dr. Ian represent a bit of a fresh
spin on the gruesome genre material. However, that hardly makes the film any
more entertaining to watch.
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